Logan's Run predicted a dominant youth culture obsessed with beauty and fitness, for example.Īnyone who watches the CW on a regular basis realizes that this prophecy has come to pass. Perhaps the great fun of returning to 1970s productions like Logan's Run (1976) and Death Race 2000 today is sizing up their predictions about the unknown, unwritten future. In particular, Sylvester Stallone is a hoot as the movie's touchy villain, a guy who answers every perceived slight with a volley of machine gun fire or a good impaling. Today, you're far more likely to laugh than turn away in disgust from the film's action. The film boasts an unmatched sense of wicked black humor. On the contrary, Death Race 2000 is veritably fuel-injected with laughs. Like the best examples of the genre, this is a sci-fi movie that comments on the " American way of life" -" no holds barred," to quote the film - in an intelligent manner.īut it's not some heavy-handed political diatribe either. What seemed viscerally excessive in the Gerald Ford Era now seems merely par-for-the-course in the post-War-on-Terror and Torture Porn Age.Īnd with the on-screen violence neutered to some degree by contemporary expectations and standards, something truly wondrous and unexpected has occurred in this case: the film's satirical angle has more fully-flowered than ever before.
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